February 6. Universitätsklinikum Hamburg-Eppendorf.
For the first time in about a week, my left elbow felt stable and secure. True, the arm was bandaged firmly to a cast but for the first time since the anaesthesia from Thursday wore off, I can truly say I feel no pain.
I was even optimistic I could be discharged soon. Maybe even tomorrow. And I was eager about it too; due to a gross miscalculation of my independence and recovery capabilities, I haven’t taken a proper bath since I got here. Thank goodness face masks are in fashion.
Of course, I knew that I still have to be extremely careful. Getting myself in this situation was already inconvenient enough. Overexerting during the long recovery process would be an even bigger setback.
In my phone I scrolled through a Trello list of things I wanted to do in Europe, plans for travels that have, of course, been put on hold by a global pandemic. A handful of activities in Hamburg—Asian restaurants, mostly—has been tagged as “POST COVID19”. I estimated that Germany would’ve reopened by the time I’m fully recovered. By then I could ride my bike once more.
And so I looked forward to that. It was motivation to hit my recovery milestones.
January 30. Beautifallage, pun intended.
Carefully, I start pedaling, making sure to regulate my speed. It’s the cycling equivalent of watching your step over shaky ground, except, should your footing give on shaky ground, a clever shift of body weight could yet help you. On a bike I pretty much have no idea how to adapt should I slip other than to fall gracefully; while most of my martial arts training is focused on striking, I’m no stranger to the concept of break-fall.
Note: Even with the wisdom of hindsight, I’m not sure how advisable a break-fall over ice is. All I can say is, do not expect it to be as effective as performed in training over padded ground.
After a few meters covered, a few crossings without issue, I gained confidence in my ride. Though still riding slow, I considered the snow crushed by my bike wheels as my contribution to de-icing the sidewalks of Hamburg. I didn’t plan to cover such a long distance; I planned only to spend some outdoors winter time in that beautiful autumn park near my apartment.
Of course, writing about it in retrospect, with a surgical scar for a souvenir across my left elbow, it just seems careless. But at the time I was really curious how it would feel to bike through snow. And it’s not as if it was a completely ignorant move from me either; I made sure to slightly deflate my tires for better grip, the one common advice in all the “biking on snow” articles I’ve read.
To anyone who somehow got here looking for advice on how to bike on snow, here’s mine:
Anyway, returning to my story, after spending a few hours enjoying snow like the first timer I am and slightly fearing frostbite, I decide one final glory lap around the beautiful park, a lap I’ve done numerous times already that day. Except this time, with the small bit of urgency on my mind, I forgot my embargo on speed.
I suddenly found myself flying from my bike. It wasn’t your usual fall; it all happened so fast. I rolled on the snow and somehow felt my left arm go wrong, for lack of a better term.
The only comparison I could come up with was an F1 driver misjudging the wet track on slick tires by a just an inch or two, sending them literally flying out of race contention. Or maybe I’m just making myself sound more heroic after the fact.
The first thing I realized, with a touch of irony, was the surge of adrenaline throughout my body, therefore taking care of my slight fear of frostbite.
So there I was, ass on the snow, perhaps three meters away from my bike. Though I wore a heavy winter coat, I could tell my left arm has rotated in a way left arms are not supposed to rotate. My brain went into a half-confused state. I remember being so sure that I must be bleeding, but the snow wasn’t red, ergo I wasn’t bleeding. Still I wanted to raise my left arm higher than my heart, except that I can’t move it. I must’ve broken a bone and maybe it even tore through my skin, and therefore I should be bleeding.
Thankfully, I wasn’t. It was merely a dislocation though I had to wait in the hospital to get properly patched-up and tested. Thankful as I am for a more-than-decent emergency response system as well as medical insurance, that day I realized why hospitals are such frustrating experiences.
If your case is not serious, they will not prioritize you and you will wait. And if they are prioritizing you…let’s just say it is not the best day of your life.
I have never been more thankful for being made to wait.
Which brings us back to present day. My arm is well but I still hugely over-estimated my recovery capabilities. I managed to keep my proudly-valued independence throughout but I still can’t completely extend my left arm. I can play the guitar though. And draw; I am right-handed.
With Germany currently battling a third wave of this global pandemic, it feels like playing a waiting game in multiple fronts. Waiting for my arm’s complete recovery as I perform my therapy exercises regularly. Waiting for my turn to get a vaccine. Waiting for everyone else to get a vaccine so life can return to normal.
In truth I have very contradicting feelings about the whole situation. On one hand the prospect is just bleak but on the other hand it gives me ample time to recover properly—I’m not missing out on anything. I’m not impatient in that respect.
It’s been quite a boon for my art too. Part of the circumstances why I bought a Wacom tablet is this “lockdown art project” I came up with where I’m basically illustrating stories I wrote. But having a concrete goal meant that I kept to a small collection of tools and techniques that achieves my goal, helps me produce the images I want, in more or less the style I envisioned. It didn’t leave much room for experimentation.
But thanks to having almost nothing else to do, I had time and enough ennui to actually learn the vast arsenal I had at my disposal, thanks to software. For example, with Krita I can add a dimension to my sketches I didn’t have previously. Not just that I am no longer constrained to grays of pencil lead, I can even emulate the texture of other media such as charcoals without making a huge mess.
A couple of notes:
- Yes, I have previously tried charcoal in real life. I didn’t like it. Too broad, couldn’t get details in. Not to mention too fragile and expensive—traits that are never complementary in a product. I’m pretty sure I was using it wrong but I have neither the time nor the teacher to teach me properly
- I know I could’ve escaped the monotony of gray in real-life sketches by using—wait for it—colored pencils (genius!) but colored pencils are simply a different experience from your typical Steadtler 3B. They are harder to erase, and that’s just the start of it.
Another thing you have to consider in real life is the paper. When you draw you are basically applying a layer of medium on the paper; add too much and it’s heavy, the medium could seep, even tear the paper. And when you erase, you are basically scraping the medium off the paper, and sometimes you scrape off fibers of the paper too; you can only erase so much.
Not to mention that art materials—high-quality paper among them—are quite expensive. It’s not really threatening my savings but I consider it quite wasteful to just pour money into this hobby when I’m not getting any financial value back from it. I might as well buy a Hasselblad camera.
But with software, the only real cost is my time and my patience. I can study different styles and try to execute it in a piece.
I can try a Sumi-e-inspired gothic watercolor and get it wrong as many times as I need to get a satisfactory result.
This wouldn’t have been possible with the small arsenal of brushes I’ve come to depend on. Simple as it looks, there was a lot of time spent on experimentation.
I can even feel daring and try out new palettes. Perhaps due to my extensive work with gray pencil, I noticed that my color choices tend to be dark. So, how about a vibrant portrait in false-chrome worthy of an ad campaign?
I think avant-garde is French for “I have no idea what I’m doing”.
Which, just to bring this post to a close, kind of sums up my current situation. I really don’t have plans or an idea what to do next other than wait. One day at a time until my path crosses normal again.
Avant-garde. Au revoir. Bis dann.