And now for something considerably different…

Ever since I trained in Taekwondo in high school, I’ve been interested in how fights are portrayed in mainstream media. I’ve gone all the way from wondering why I don’t spar as beautifully as Jet Li fights to concluding that it is the movies (and anime!) who don’t spar as realistically as real life.

Nowadays, it is easier to find material on the subject. YouTube is full of videos detailing why Game of Thrones have such great battle scenes despite the fact that Jon Snow is a pretty shitty swordsman. That said, I don’t really watch Game of Thrones so my gold standard for swordplay eye-candy remains to be Peter Jackson’s work, for all its narrative faults.

So it is interesting to find an analysis of The Battle of Pelennor Fields from a real-life military perspective. Go give it a read—you don’t need to be acquainted with military literature to get the gist of it. If anything, it will give you an insight on modern military tactics.

Rationality in the Time of Gunfire

He is a ghost. He is from some other world. He is Papa, Madame Manec, Etienne; he is everyone who has left her finally coming back. Through the panel he calls, “I am not killing you. I am hearing you. On radio. Is why I come.” He pauses, fumbling to translate. “The song, light of the moon?” She almost smiles.

“Are You There?” All the Light We Cannot See, Anthony Doerr (emphasis added)

And then I found water in my eyes. How similar is it to the rain that falls outside, I do not know. Where rain is tasteless it is often salty. But it does not matter. They may be fiction, figments of fickle dreams but they found each other. A meeting that is a thing of beauty in the midst of a wretched war.

In a time saturated with generic posters from Nicholas Sparks movies, I worry that there is a strong tendency to overly romanticize the passage I quoted above. The thing with quotes is that you shower a particular part of the text with emphasis—put it on a pedestal, so to speak—and inevitably you lose at least some of its context. And at this point so early in this post, I would like to come out clean and admit that, contrary to common protocol, I started writing this review with a fraction of the book still unread. I found that quote that beautiful that I just felt like I have to write what I feel about it. Right. Now.

For every bit of Doerr’s skill, all the words in that quote could not begin to convey what or why I found it beautiful. I do not feel any guilt opening this post with a passage from the final stretches of the book. Can you really read the early stages of the book without thinking that they will meet? This piece of text does not matter. What matters (and what makes it beautiful) is how they got here.

And, just in case you need it spelled out loud, this passage is not beautiful because it speaks of romance in any way. Heck I don’t even know if this will blossom into one before the story breathes its last. He is German, part of the army invading Saint-Malo, while she is a blind French girl forced by circumstance to be in Saint-Malo at the time of invasion.

At this point, I think it is proper to admit that my interest (and horror) at the two world wars is more than casual. However, this book has dragged into my consciousness that my knowledge about them is horribly tainted by movies and pop culture. Just considering the second, it is so easy to divide the participants in black and white. Like highlighting certain parts of a text, this strips history of its nuances, the undiscussed footnotes and marginalia.

Take, for instance, the “heroes” of WWII, the Allied Forces. Slapping the label “hero” on them masks the fact that Winston Churchill let India starve to support the forces. How different is that, in principle, from the deaths the Nuremberg Trials accounted against the Germans? And speaking of Nuremberg, it is highly compelling to question the justice meted out in that court. Was it true justice or victors’ justice? Did that court evaluate the war or just one side of it? The atrocities the Nazi committed is beyond doubt but, had they evaluated the war itself, isn’t it suspect that the Allies come out more or less completely clean after all those proceedings? (Were they even held under scrutiny?)

How about labeling all Germans as the villains in this war? After all, they, as a nation, decided to put the Nazi party in power. Not to mention the state surveillance that marked the Nazi years, citizen against citizen. But, again, such sweeping labels seem an insult to the memory of brave efforts like The White Rose Movement. Beautiful, if maybe foolish, but futile (or was it?).

Footnotes to the greater narrative. Lights invisible inside the tide that brought us to present times. They are parts of the picture we should never neglect as we judge history.

Which brings us back to the text of Doerr’s Pulitzer-winning novel. Our ghost is Werner, a pale German orphan with an aptitude for electronics who finds himself in a time when getting education means assisting, if not outright swearing allegiance to, the Nazi cause. His talents take him to Schulpforta where he develops means to triangulate radio signals—a valuable skill if they are to crush underground resistance movements against the German forces.

It is the cast of Schulpforta which begs readers to challenge any stereotype they may have held regarding Germans in the time of the Third Reich. Sure, the common German portrayal is there: Werner feels stigmatized as most of his fellow students are just so willing to blindly follow the cruelty of their superiors. But during this time Werner encounters two contrasting characters: his friend Frederick and the revered giant Volkheimer.

Where Frederick is described as spindly, much is made of Volkheimer’s physical stature. Where people would not think twice before picking on Frederick, epic tales of superhuman feat are woven around Volkheimer. Where Frederick enthusiastically shares his interest in nature, Volkheimer’s demeanor is a caricature of German soldiers during WWII: aloof, calculating, and efficient.

What Frederick lacks in physicality he more than makes up for in moral courage. He has no remarkable qualities save this moral fiber and despite that I find Frederick the more-admirable individual in his friendship with Werner. Such is his conviction that, in one poignant scene, he proved better than even me, the reader, after I tried putting myself in his shoes. I can only hope that when the time comes that I am offered a cold bucket of water to douse a helpless prisoner with, I can make the right decision and choose what is right over what is easy.

(Werner, on the other hand, for all the stigma he feels, often takes the easy way out when confronted with moral decisions, even if hesitantly.)

As for the giant, there is so much more in him than initially presented. I will not specify instances as that I would consider spoilers but he stays silent for most of the text and yet he is never outright cruel. He defies tropes but manages to somehow remain familiar. Maybe, I find him so because he is me, trying to survive and do what is right, at least most of the time.

There are stretches of the German side of this story that felt particularly difficult for me to read not because of the prose but because the characters are made to face decisions whose horror managed to transcend the printed word and gripped me as I read it. Maybe it is just the zeitgeist I am currently witnessing. Or maybe, Doerr just writes that damn well.

As Werner is no prince I am pleased to inform you that her female counterpart, the blind Marie-Laure, is no princess nor damsel in distress either. In fact, it is actively due to her agency that Werner locates her. Unlike Werner she is seldom hesitant in her decisions, a trait that puts her in harm’s way more than once.

Marie-Laure, an avid reader despite her condition, spends most of the story under the care of her war-traumatized uncle Etienne. His father, a locksmith from the National Museum of Natural History in Paris, was taken prisoner during a trip from Saint-Malo back to the capital. Displaced when Paris was taken, her father’s arrest does nothing to help her adjust to the circumstances of a war that is only getting worse.

Marie-Laure’s longing for familiarity and normalcy is understandable but her courage and willingness to fight for that sense of normalcy is astounding and praiseworthy. Instilled with a belief in reason early on by her father, she shows courage like Frederick as well as resourcefulness and resolve in no small amounts.

In the midst of our protagonists’ affinity with rationality, they are bound, if loosely, by a mythical piece of jewelry. And here, again, I praise Doerr for his skill. After everything that is said and done, the reader is left puzzling as to how much did that piece of jewelry really affect the story. Was it a passive object, a McGuffin, whose purpose was only so that the writer can make his characters want something, anything? Or did it play a more active role in the salvation or damnation of the characters who had the (mis)fortune to cross paths with it?

All of which comfortably puts All the Light We Cannot See into the shelf of magical realism. I have not read much from this shelf, I’m afraid, but, so far this is the one I like best. Unlike the superstitious nature of Gabriel García-Marquez’s characters. the rationality professed by our protagonists provides a nice counterpoint to the possibility of supernatural interference. Unlike the zeitgeist of Salman Rushdie’s The Temptress of Florence, these characters find themselves in a war, with no sorcerer nor god to save their skins. Will that stone have saved them? Did losing it made them perish? Go read the book, find out what happens, and decide for yourself.

I can only heap so much praise on Doerr’s work before it becomes redundant can only write so much about the book before I actually tell it word-for-word. This book is many things; it will make you ask questions and ponder on your moral values, all in the guise of a warm tale of an orphan boy and a blind girl.

Sometimes, dogs do eat homeworks

Due to a long series of probably mishandled transactions, my XPeria Z ended up between the jaws of Embrr, a Labrador Retriever who part times as one of my roomies as well as Foot/Mouth-ball rival1, around two months ago. Does not help my feelings that in more than a year of our acquaintance, this is just my first (and hopefully last) possession which Embrr has sent the way of dinosaurs whereas my fellow humans who also share the same living quarters with the Lab has sacrificed so much more.

The World's Most Disciplined DogPictured above is the World’s Most Disciplined Dog.

Also, the last line I wrote is the World’s Most Blatant Lie.

Now, after three years, I decided to go to the Manila International Book Fair again. Acknowledging that my efforts to turn this blog into one centered on Literature (note the capital ‘L’) isn’t really panning out, I guess it’d help people contextualize by admitting that, people, BOOKS ARE MY VICE. Back when I first got my camera and decided that a few thousand pesos-worth of filter glass is disposable (compared to a PhP 20K upwards worth lens), people told me that this photography hobby is turning to a vice. But I disagree. Every photography gear I have has been used, and used with good reason. And, to date, not one of my filters has ever been disposed. But just one glance at my reading queue would be enough to convince any sane-minded individual that BOOKS ARE MY VICE.

Books are my vice. Now that’s out of the way, it should not surprise you to hear that it is more than challenging to bring home all of my MIBF purchases. From MOA all the way to the suburbs of Caloocan. While I’ve learned a few lifehacks to make carrying heavy stuff easier and have put in way more push-ups than during my whole time formally training in Taekwondo since my last MIBF, my spendable cash has also grown. Yay Chad’s Capitalist Paradox.

It’s a good thing then that I have some living quarters at Makati, incidentally the same living quarters I share with the Lab pictured above. So I thought it’d be nice to house my new friends there for the meantime while, batch by batch, I transport them to stand with their kind. Perfect plan.

Except for the Lab.

Of course, I made sure before I left for the weekend (along with my first batch of new suburb roomies) that the books are in a secure cabinet which can’t be opened without opposable thumbs. The problem is that:

  1. Just before I left, I found the upper part of the cabinet door not latching properly. I gave it a light kick so that it latches properly and left it at that. I should have looked for another cabinet, one that really latches properly.
  2. The cabinet is in a low enough position that should the Lab develop opposable thumbs, he can open it. I’ve seen him steal socks from improperly-closed cabinets of the same ilk. I should have put the books on my bed—the upper bunk of a double deck, the only part of our room I’m sure he can’t reach. I should note that this is the only type of cabinet we have which can house the bulk of books.
    1. But then we have a cat and the cat can reach my bed. Where the Lab bites, the cat bites, pisses, and scratches. It is for that reason that the cat is not allowed inside our room but her fondness for, and excursions to, human bed cushions is not unheard of.

I left having secured my new friends considerably well. But if there’s one thing I learned, “considerably well” is not good enough for dogs, moreso a Labrador of Embrr’s calibrr. This hit me midway through my grueling commute from Makati to suburbia and it kinda triggered that part of my brain that always wants 101% assurance on things.

Which leads us to this post. I’d have wanted to wax philosophical on faith, assurance, fight, dream, hope, love, etc. but then this post won’t see the light of day until it has been peer-reviewed and defended before an independent interdisciplinary panel of judges. So instead of doing that, I guess I’ll just ask the question…

Will my new friends survive the weekend, until I can get back to them?

They Only Grew In Numbers

We are waiting.

Edit (9/20/2016): Aaaannnddd they’ve survived! That’s all for now ladies and gentlemen, thank you very much.

  1. I use my feet, he uses his mouth. Never the other way around and I’ve never used my mouth. []

OH. MY. LORD.

They are doing it! A movie adaptation of one of my favorite novels is in the works!

I have been meaning to write a review of this novel for a long time now but, well, life, y’know, yada yada yada…

Also in the pipeline (for almost a year now), is a review of Neil Gaiman’s Sandman Overture. But I never got to post it yet, because I’ve been wanting to take a picture of my copies of Overture but because I was a librarian in one of my former incarnations, I have not been able to make a good enough set-up for taking a photo.

Don't expect leniency on late fees though.

Dark and Clear Skies

Slowly, the Scorpion emerged from the horizon, into the heavens, just in everyone’s plain sight. It was gigantic, with burning orbs for pincers and armor; in the night’s darkness the Scorpion was unmistakeably recognizable. The Moon has long set and the Hunter has been gone even longer. The sky was for the Scorpion to crawl.

We lay on the white sands waiting for the Scorpion to reveal itself entirely. First came its pincers. Then its long body with its burning red heart. Then its tail, the stinger. But it was not really for the Scorpion that we waited hours for. Near its tail, as if stuck with its stinger dragged around as the Scorpion prowled, is a sight more beautiful, more majestic than a celestial scorpion—a sight I have made it my life goal to see. At the end of this particular Scorpion’s tail flowed forth not poison but milk.

Fun fact: Being that our Solar System is located in one of the arms of the Milky Way, we can view part of it from our outpost here at Planet Earth. As our night skies stand presently, the Milky Way is situated at the “tail” of constellation Scorpius; should you let the myths have their way, also known as Orion’s archenemy. As an additional marker, the Milky Way flows from the teapot asterism in the constellation of Sagittarius.

(So does the Teapot coat the Scorpion’s tail with Milk? Or is the Scorpion pouring Milk from its stinger into the Teapot? Is not the Teapot a Milkpot maybe? Is Sagittarius trying to avenge Orion? Reader, I leave you to decide.)

In case it is not yet obvious, I have been a fan of astronomy all my life. In fact, one of my main motivations when I got myself an expensive camera (the SLT A35) was to photograph the night sky. Much so that I christened my A35 “Getsurikai”—a BLEACH-inspired name which translates roughly to “moon grasp”.

Alas, contemporary life is not exactly friendly to night-sky shooting. Add the fact that, as a hobby, I only get a handful of chances throughout the year to try out my experiments. My progress in this interest has been slow.

I’ve experimented more than a few times just to learn how. I have tried it on the kit SAL 1855 lens when I bought a tripod. Needless to say, my attempts—done from our rooftop on the darkest nights our area will allow (which still isn’t that dark by the way)—ended with faint, out-of-focus traces of Orion. Else, you would’ve heard from me before now.

My luck proved better with the SAL55200. At 200mm focal length, shooting the moon became quite doable. That, combined with my XPeria Z and my Celestron 70AZ (codenamed “Lippershey”) produced some images I’m quite proud of.

A Hole in the Sky
Taken with the SLT A35 + SAL55200
The Sattelite Shooter
The Celestron 70AZ
The Subtle Lights of Our Sattelite
Taken with a combination of the Celestron 70AZ and the XPeria Z.

And suddenly, Getsurikai started to live up to its name.

But I wanted more! I wanted the stars. “Aim for the stars so if you miss at least you hit the moon” right? Well, I’ve somewhat hit the moon. I want my stars.

Enter the gorgeous SAL 1650. When I bought this lens, I did not really plan to use it for astrophotography. I have been laboring under the (wrong) impression that what makes astrophotography is a kick-ass telephoto lens (reasoning that you need a telescope to do astronomy so to do astrophotography, you need a telephoto lens. Seriously.)

What gave me the idea to use the 1650 was this shot, taken last summer.

DSC02650

 

Compared to the other shots in this post, I know this one does not offer much merit. But look: it got a few stars and one planet, sharper than I ever got them. And that is with all the light pollution from where I stood and with a shining moon to boot, not to mention the exposure time of a mere 5.7s. If that does not win any photographer’s faith I don’t know what will.

But still, the opportunity for dark and clear skies has yet to present itself.

Until a few weeks ago.

Say what you want about the Philippines but we have a friggin’ Philippine Astronomical Society (PAS). I’ve been lurking in their group for some time now but I never really got the opportunity to join one of their events. That is, as I’ve said, until a few weeks ago.

In PAS’ 2015 stargazing event at Puerto Galera, I finally got this shot. What it lacks for in exposure, it makes up for in photography lessons learned and sentimental value. I dipped my toes in the hot sands of Puerto Galera not expecting that I’d have an appointment with the lovely Milky Way, wearing stars for jewelry.

The Light in Dark Skies
The Light in Dark Skies

In a moment of trial-and-error, I realized what I have been doing wrong all this time. Ironically, what got my ass is the fact that I tinker with my camera’s settings far too much. I should have left my white-balance at Auto. Color-correction is really no help here.

And of course, repetition is what builds skill. Fortunately, PAS held another stargazing event barely a month after the one at Puerto Galera, this time at Big Handy’s Grounds at Tanay, Rizal. And I got this shot which will now always keep me in awe and wonder about things way larger than myself.

Delight in Dark Skies
Delight in Dark Skies

(Mandatory disclosure: I almost did not get this shot because, again, I tinkered with my camera’s settings too much! This time around, the culprit is my aperture setting.)

Of course, these adventures have more stories than what I have just related. I’ve met some interesting people along the way but they don’t make it into this story as that risks making the narrative incoherent. Maybe, someday, I get to write about that and them.

Isn’t astronomy a nice reason to travel?